One of the most important advocacy groups for Opera as an artform in the UK is the OMTF. Their self-stated mission is to be …a network of companies working to create an environment in which opera and music theatre can flourish.
One can only applaud both the sentiment and the ambition.
OMTF’s 2013 conference entitled, ‘FUTURE TENSE? – What will the world be like in 2030?’ was held on November 13 in London. The invited speakers, including playwright/librettist, Mark Ravenhill, were a pretty stellar group of informed individuals, not the least being Royal Opera House artistic director, Kasper Holten. Continue Reading →