One, by the wonderful author, Haruki Murakami, is like an old friend with whom you want to find a quiet corner and revisit past memories; the other, a book by Shelly Peiken (more on this below) of comparable interest – although entirely disparate subject-wise – that makes you want to throw-up and denounce the commercial music industry for the absurd inanities and money-grubbing tactics of the major record labels and streaming services. (hint: Plea to the U.S. Congress – change the outmoded laws on music copyright to protect songwriters!!!!)
Murakami’s ‘Absolutely On Music’ – conversations with Seiji Ozawa, is a sheer delight. For aspiring conductors, you will be confronted with seemingly simple ideas from Maestro Ozawa, the real implications of which are so deep that they belie the ease through which Haruki’s wonderful writing captures Ozawa’s fleeting thoughts.
This is a book to cherish. Read it and listen to the recordings the two men discuss (preferably with a score in-hand).
So, I found this book by accident in a hotel room that someone had left behind. Clearly, they didn’t think it was worth keeping. Fool.
This is perhaps the best book on the business of songwriting I’ve read (the best book on non-theatrical songwriting craft is still Jimmy Webb’s). It paints a picture of the current record industry and production process for contemporary popular music exactly for what it is – a cess.pool of narcissism, ignorance and insidious self-serving decisions by A&R reps. and so-called ‘producers’ (I do love Ms. Peiken’s requirement of placing charlatans in this category always within inverted commas) in the ‘circus’ that is now the Music Industry.
Is Shelly well-placed to write this book? You bet. Do I love all the songs she has written or co-written? No, but she has a craft that is fully cognisant of the Art-of-Songwriting and respects the beast that this is in terms of trying to tame it on any given day.
Much respect for this book. Beware, though, it reads like a personal diary (which it is in many ways) but do follow it through from beginning to end so that you capture the arc of the narrative that is built up over the duration of the story being told.